October 15, 2025

Pete

Pete, age 10
Fountain Valley, California (1974)

I was 10 when the old Irish priest launched into a furious sermon about the filth and flagrancy of homosexuals running wild in the streets of San Francisco.

His spit flew under the altar lights, his voice cracking with moral outrage. And somewhere between the words filth and unnatural, I knew he meant me.

A burning started behind my eyes. I felt it spread through my head as if I’d been caught in a lie I didn’t understand.

I was certain everyone in the pews was turning to look. Even the statues seemed to fix on me, their glass eyes gleaming with accusation.

At school, faggot was already the word attached to my shadow. Now the Church had joined the chorus. It felt organized—school, faith, and family forming an alliance against the crime of my existence.

Weeks later, I heard my brother Duke in the bathroom, telling my mother that the kids at school were calling me a queer. He didn’t know I was listening. I stood in the hallway, cold, realizing he was ratting me out—as he always would, given the chance. Now Mom knew. She probably brushed it off, thinking that I was simply “artistic.”

So I kept my head down and learned to move through the world like a soldier under fire. But the hate didn’t pass through me—it soaked in. It settled somewhere deep, a knot that never dissolved. 

At school, the slurs were tossed like Frisbees, casual and lazy. And I imagined the kids who taunted me suddenly bursting into flames, their entrails splattering on the blacktop. It was childish, sure. But it was the only justice that ever felt fair.

By the mid 1970s, life felt vaguely softer and the world looked calmer. But for kids like me, the homophobia didn’t vanish—it just learned to smile. Television was getting prettier too—variety shows with glitter and choreography, and all the sparkle I loved. Every new song on the radio promised freedom, yet none of it applied to me. I was still the boy keeping his head down, knowing the lyrics were written for someone else.

I was starting to feel a bit freer, until one day my number-one bully was riding his bike past our house when I shouted, “After school!”—the neighborhood code for a fight.

As it was about to begin, my heart was hammering in my chest. But I was the one who had started it, so it was on. And there he was, the pugnacious little monster, standing at the center of his nasty little gang of street goons.

I walked forward, and he took a pseudo-karate stance. We exchanged a few words, and soon the anger that had been coiled inside me was unleashed. We came at each other, fists flying. I recall getting a few really good ones in and that he connected as well. 

It was just a bare-knuckle brawl—and it felt good to vent my rage. Eventually, it wound down. I walked away exhilarated but rattled. The following days at school were a mixture of timid congratulations and sneers from my classmates. 

You see, I was the fairy who took on the school bully and survived.
I still got called “faggot,” but there was a new respect that came with it. 

I was a faggot who fought back-and that was a good thing. I had slain a kind of giant.
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Click here - "Born This Way: Real Stories of Growing Up Gay" book
Click here - "My First Gay Crush Blog"

June 13, 2025

Steve

Steve, age 13
Philadelphia, Pennsylvania (1969)

This occasion was the Golden Wedding Anniversary of Nanny and Poppy, my grandfolks who still spoke with the Yiddish accent of their home in Russia (although they were now true Country-Club Jews). 


All of us grandkids had a song or poem prepared to perform. For my slot, I had written new lyrics to "On the Street Where You Live" complete with multiple three-syllable rhymes to put Alan Jay Lerner's original words to shame. 

Listen, Alan Jay Lerner never bothered to rhyme Caribbean with Amphibian, but I did that night! I really sang my heart out into the mic. And boy, did I have dramatic hand gestures! I had vocal flourishes to make those high notes soar, and I had all the tricks the pros use to sell a song.

So I finished Part one (three verses and a chorus) to rousing applause. Part two (three verses and a chorus) covered Nanny and Poppy's kids and grandkids. (Less applause). Part three (yet another three verses and chorus) covered their retirement years. (Begrudging claps). 

And there was still a Part four to go! I know there's a lesson somewhere in there worth learning about brevity -- something something something... 

So what happened to my 13-year-old's dreams of Broadway glory? Well I actually did make it onto the credits of a good number of Broadway Playbills about 15 years later.

But alas, not as the brilliant lyricist I harbored inside me, but rather as an Assistant Set Designer to some of Broadway's greatest designers. 

And that's showbiz!
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Click here - "Born This Way: Real Stories of Growing Up Gay" book
Click here - "My First Gay Crush Blog"